Cerith Wyn Evans’ gloriously uncategorizable oeuvre has spanned installation works, sculptures, photography, film, text and a recent collaboration with industrial-music pioneers Throbbing Gristle. Preoccupations with language and perception generally lead the works, from an exhibition at Tate Britain in which a computer randomly selected lines from William Blake’s poetry to be reflected off a disco ball in Morse code format to “Inverse, Perverse, Reverse,” a large circular mirror that showed viewers’ reflections upside down, referencing Lacan’s mirror-stage theory of identity.
Hans Ulrich Obrist & Cerith Wyn Evans: The Conversation Series: Volume 24 books pdf online
Hans Ulrich Obrist & Cerith Wyn Evans: The Conversation Series: Volume 24 pdf download
Hans Ulrich Obrist & Cerith Wyn Evans: The Conversation Series: Volume 24 pdf
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